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As explained in a note on the back cover of the US edition of A Nice Pair, songs dropped from the US 1967 Pink Floyd album, " Flaming", " Astronomy Domine" and " Bike", are restored for this re-issue. title for Piper) and other recordings, which were cut from the UK version. In the US Harvest Records and its distributor Capitol Records reconstructed their edition from tapes that had been previously altered for the debut 1967 US album Pink Floyd (the original U.S. There are a few differences between the US and UK issues on the first disc of this compilation. Some live performances ran for over 20 minutes.Release history and track variations."Celestial Voices" (fade-in of bass, organ, mellotron, wordless chorus)."Storm Signal" (fade-in of chimes, organ, fade-out)."Syncopated Pandemonium" (fade-in of tape loop drum solo, furious cymbals, screeching guitar, fade-out)."Something Else" (fade-in of slow closely miked cymbal, echoing organ, fade-out).Some pressings of Ummagumma break this into 4 sections:.This led to a strong climax of the song, that can be best appreciated by the applause at the end of the Ummagummaversion. The "Celestial Voices" section started with just organ like the studio version, but gradually added drums, bass, guitar, and wordless vocals, provided by Gilmour. For "Syncopated Pandemonium", Richard Wright had to be content with playing Farfisa organ instead of pounding a grand piano with his fists like the studio recording. The closely miked cymbal sound that starts the piece was instead performed as a two note bass drone. Live performances differed significantly from the studio version. "Storm Signal" represents the view of the dead after the battle's ended, and "Celestial Voices" represents the mourning. "Syncopated Pandemonium" represents the actual battle. Roger Waters once stated in a Rolling Stone interview that this was about a battle and the aftermath.
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In 1969, "Celestial Voices," was incorporated into The Man And The Journey as "The End Of The Beginning." A live version is available on Pink Floyd's 1969 double album Ummagumma, and the version seen and heard in the film Live At Pompeii: Directors Cut is considered by many to be the definitive version. This became a live staple from 1968-72.This is an experimental, avant-garde piece featuring howling feedback, menacing percussion, and eerie wordless vocals.Written By: Roger Waters, Richard Wright, Nick Mason, David Gilmour Sung By: David Gilmour, Richard Wright (Vocalisations) Album: A Saucerful Of Secrets, A Nice Pair, Shine On